
And now, I’ve just finished On Chesil Beach which, although not his latest novel, signals to me that McEwan has well and truly lost the plot. It is reminiscent of Virginia Woolf’s Mrs Dalloway (but then, so was Saturday) but far from being the innovative ‘stream of consciousness’ kind of work that Woolf achieved, it is (in my opinion) writing for writing’s sake. I waded through the agony upon pointless agony-of-the-moment for the first one hundred & sixty one pages – without ever caring whether the protagonists eventually achieved a coital bonding or not – and was then rushed through a (totally unconvincing) five-page expositive unravelling of someone’s wasted life. I had a distinct feeling that McEwan had simply become bored with his own book. It reminded me of my past efforts at decorating. I would start with great enthusiasm, taking enormous care with the preparation and first stages, only to end in a flurry of slap-dash, ‘that will do’ attention to detail. Yes, On Chesil Beach was just like that, I think.
The plaudits that it received when it was first published only go to support my view that the industry is too self-interested – or possibly too polite - to notice when the Emperor has dared to step out without his clothes. Am I bitter and twisted? Of course not!
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